Orchestra & Large-Ensemble Recording in Vienna
Recording a full orchestra is a different discipline from tracking a band. The forces are large, the dynamics are wide, and the room is part of the instrument. We record symphonic and large-ensemble projects in Vienna, across Austria and throughout Europe, with a Tonmeister-trained team that thinks musically first and technically second. We work in both stereo and Dolby Atmos.
Record where the orchestral tradition lives
Vienna is one of the great cities of orchestral music, and its concert halls and churches were built for exactly this sound. For an international artist or label, recording here is part of the result, not just the logistics. We know the venues, the acoustics and the people who run them, and we plan the session around the room rather than fighting it.
From section to tutti
An orchestra isn't a single instrument but many sections sounding together, each with its own demands on the microphones. The main system carries the overall image and the hall, while spot and section microphones add definition where the score needs it, without ever pulling the balance apart. For choir and orchestra together, the challenge is depth and intelligibility at full dynamics. The right placement is found by listening, not by a formula, and it is set before the dress rehearsal so the session runs smoothly.
Immersive sound for large forces
Few ensembles benefit from immersive audio as much as an orchestra, where height and surround information are already part of the live experience. We capture that spatial dimension at the source with height and room microphones, ready for a Dolby Atmos mix.
More on Dolby Atmos for classical music
A concert happens once
For a live recording there is no second take, so redundancy is not optional. Backup recorders, dual power and spare microphones are standard, and the critical decisions are made before the downbeat. For pure studio sessions without an audience we work more flexibly, repeating passages and changing setups until the result is right.
Planning and on-location workflow
A large production needs more than microphones. Travel, setup, soundcheck and on-site support all have to be planned around the orchestra's schedule, and editing often runs in parallel during the session so post-production starts ahead.
For international clients
You don't have to be in Vienna to work with us. Send us your recorded material and we edit, mix and master remotely. Or have your artist record with us in Vienna and join over video with real-time hi-res audio streaming, so you follow and shape every decision from anywhere.
Planning an orchestral or large-ensemble recording? Tell us about the project and we'll build the right setup around it.